Half Life 2 - Episode Two

Nyugi, a crysisben is. Mivel ez magától értetődő. Elég tág fogalom a script.

Nagyon megformáltad magadnak az illúzióidban ezt a játékot, csakhát semmi nem olyan amilyennek látatlanban reméljük. Én ezt már tudom, majd te is megtudod.

u.i.:Nem úgy volt hogy csak a crysis megjelenése után folytatod?

"Yes, I know my enemies: they're the teachers who taught me to fight me. Compromise, conformity, assimilation, submission, ignorance, hypocrisy, brutality, the elite."

Dícséretre méltó , de ettől még a fontosabb esemény szkriptet kapnak.

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Newell then went on to announce that Valve had hired former Weta employee Gray Horsfield - the brains behind the destruction sequences in The Lord Of The Rings trilogy and King Kong - to implement a new physics mechanic called Cinematic Physics, which is set to generate some staggeringly realistic in-engine demolition sequences, augmented by a revamped particle system and shadow buffers.

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This looked a fair bit more complex than what you'd normally find in a scripted cutscene, primarily because it employs Valve's new "cinematic physics" technology. Blending keyed animation with Source's Havok physics model, the new technology will allow Valve the ability to create cutscenes that are much more complex than previously possible simply because of the use of physics objects. This was the only example shown for cinematic physics during the event, so we'll have to see just what else is possible at some point in the future.

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Cinematic Physics supports a keyframe system[5], but its exact nature is currently unclear. It could be that an animator creates a largely complete but low-detail sequence which then sees details added by the physics system, or it could be that an animator creates a handful of single-frame states which are then used as motion targets for the ensuing simulation (in a manner not dissimilar to the Endorphin NaturalMotion technology). Either method results in a drastic reduction of developer input, thus allowing the creation of far more complex scenes than before with the same budget. It is currently unclear both whether or not keyframes are strictly required, and what number are needed to create a scene as complex as the bridge collapse demonstration.

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It's constrained by two or three keyframes, but in-between them everything is dynamic.

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the idea is to use the Source engine's physics capabilities to drive larger [Not necessarily meaning in mass] cinematic moments that might traditionally have to be scripted from start to finish...

Utolsó szó jogán; megnéztem újra a videót. Még midíg szkriptekkel hülyítenek , nevetséges. Mikor összeomlik a ház az egy akkor nagy szkript volt csak ezt elsőnek nem vettem észre.. meg a Strider vs Dog jelenet is. Wwwá de várom már, mekkora pofáraesés lesz ez..

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